Well, there's not much to add to this post. Here's the last drawing I did this year at Betty Frankenstien's Drawing Room in Crystal Palace. A nice slice of textured paper using a purple coloured pencil.
Happy New Year!
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Well, there's not much to add to this post. Here's the last drawing I did this year at Betty Frankenstien's Drawing Room in Crystal Palace. A nice slice of textured paper using a purple coloured pencil.
Happy New Year!
In the last week or so, I've had a mini sales push with a couple of new developments. First off, I now have greetings cards available featuring the infamous Crystal Palace Monsters design. They are blank inside, so though they are dinosaurs in the snow and ice, they are for life, not just for Christmas.
If you'd like to see these in the flesh I'm very pleased to say that Brave Girl Gifts, Crystal Palace is now selling them. It's a lovely cosy shop on Westow Hill run by Liz. She is also selling A4 prints of mine, too, featuring these old dinos and the sphinxes having their AGM in the Crystal Palace Subway.
Keeping the Crystal Palace vibe going, I also had some A3 prints (and the dinosaur cards) on sale on the Handmade Palace stall this week (part of the Crystal Palace Food Market, on Saturdays - Haynes Lane, SE19 3AP.
Several weeks ago, I bought a guide to linocut printmaking. I really enjoyed the two day course I'd done earlier in the summer, and wanted something to refer to whilst I had a go at home. The lovely people of the Twittersphere helped me out when I asked for recommendations. @TinkersHill suggested I found a copy of 'Learning Linocut' by Susan Yeates, and although I haven't read it all, yet, it's really simple and nicely laid out. I had to get stuck in, though, and used a recent life drawing (from my Crystal Palace class) for inspiration.
I mentioned a while ago that I had done some work for Sinfinimusic.com. I thought I'd share the illustrations that I created that have a London connection. These all form generic category images for the website's new online music store. Working with the commercial director, I used familiar pieces of London architecture to sum up the music within, without overtly illustrating any one instrument or composer.
I did lots more images for the Sinfini Store, and you can see those using these links to the gallery and the projects area of my portfolio website, or to their main category page called The Sinfini 1000.